Posts

Showing posts with the label physic

Window Functions in Fourier Transform: Understanding the Role of Observation Time in Pitch Analysis

In the world of music analysis and signal processing, the Fourier transform is a powerful tool for understanding the frequency content of a sound. One of the key components of the Fourier transform is the window function, which controls how long the computer "looks" at the signal in order to determine the frequencies present. In a perfect world, a longer observation time would provide better accuracy in identifying the frequencies present in a sound. However, in the real world, musical notes from instruments are not infinitely long and their sustain is not always perfectly flat and clear. As a result, the pitch of a note can fluctuate, which can lead to a noisy spectrum when analyzing the sound. To address this problem, different window functions have been developed to control the observation time and minimize the impact of pitch fluctuations on the analysis. In music analysis, this principle can be applied to the frequency and time domain of a sound. A commonly used window f...

Keys in woodwind- the physical cut off frequency

When a tone is produced on a wind instrument, the bore of the instrument works as a resonator, to produce a pitch, but the internal surface of the bore is not a perfect smooth parallel surface. In woodwind, the keyholes even in a closed situation, still add (drill tone hole) or attach a little bit some space (plug/attach tone hole)in the bore. The rough and uneven surface of the bore causes energy loss, especially the high frequencies with short wavelengths. Diffraction refers to various phenomena that occur when a wave encounters an obstacle or opening. The tone hole, the lattice rough surface, is the obstacle to the sound wave. When covering most and all tone holes of the woodwind instrument, short-wavelength in high frequency have trouble the get around corners and obstacles by traveling the whole length of the pipe, while the high frequencies (>1000Hz) are lost (Benada,1990).  For fingering in woodwind instrument, it creates different patterns of open and close hol...